quarta-feira, 17 de março de 2010

Soulless - Gail Carriger

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Soulless
Gail Carriger
Orbit Books

Fantasy
373 pages

In an alternative Victorian age, vampires, werewolves and ghosts have risen out of obscurity and are duely integrated in London's society. Alexia Tarabotti, spinster by way of a too dark complexion and an Italian father, is atacked by a vampire who seems to ignore she is a pretenatural, one of the rare soulless humans who are immune both to vampires and werewolves. Accidently, Alexia kills the vampire and temperamental Lord Maccon of BUR (Bureau of Unnatural Registry) is forced to intervene.

the dead (or is it re-dead?) vampire wasn't created by any of the local hives and vampires and werewolves unassociated to any hive or pack are disappearing throughout England. The Supernaturals seem to believe Alexia is somehow to blame; after all, pretenaturals have in the past used their immunity to exterminate their kind. Against the will of Lord Maccon, Alexia takes it upon herself to find out what's happening.

Alexia Tarabotti is a fascinating character: independent, inteligent and sarcastic; perfectly comfortable in her role as someone who is slightly aside from society, but also insecure, marked by too many years of having her insuficiencies constantly blisted. Lord Maccon e Lord Akeldama, werewolf and vampire, rough Scotsman and frenchified dandy, are perfect counterpoints, framing Alexia's conflicting facets. Then there's Professor Lyall, Lord Maccon's Beta, serene and competent and probably ruthless. I suspect I'm a bit infatuated with Professor Lyall, which is rather disconcerting.

Soulless is one of those books you end up reading in one go because you simply must find out what happens next. The writting is light and witty, but by no means inconsequential or vacuous. the characters are rich and well-structured and the details, especially where it comes to the steaampunk aspects of the story, are visually stimulating. I can't say the resolution of the mistery came as a complete surprise, but the book is more comedy of manners than crime novel. There was only one thing I didn't like: No one explained the octopi.

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